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Book Details :
Published on: 2001-03-06
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Original language: English

Who was the man behind the pseudonym "Utamaro" We know that he was one of the greatest artists of eighteenth-century Japan, and that he was a master portraitist of women in the woodblock-print tradition known as ukiyo-e. But as for the man himself, we know almost nothing. The little there is-gleaned from contemporary books, miscellaneous writings, temple registers-is brought together in this book to present as clear a picture of Utamaro's life as modem researchers are capable of. Utamaro is placed in his cultural setting-the pleasure-loving urban culture of eighteenth-century Tokyo, the shogun's capital and the de facto center of Japan Utamaro's world was that of teahouse girls and courtesans whose fame and popularity can only be compared, in modern terms, to those of a movie actress whose name is on every man's lips. His was a world of popular literature and art, of publishers competing for the work of the most talked-about writers and artists. This world, however, was under the constant scrutiny of the authorities, and near the end of his career, Utamaro fell afoul of the government's proscription of certain subject matter, and he was sentenced to three days in prison and fifty days in hand chains.But Utamaro's life is only one theme of this book. The other is the development of his art, the perfection of his depictions of women that enabled him to capture subtle moods and differences of character. The prints of women produced by the ukiyo-e artists preceding Utamaro showed expressionless beauties of little individuality. It was against this that Utamaro rebelled, creating such prints as that of the kashi, one of the lowest ranking of courtesans-in fact, a mere prostitute. Recognizing within himself the power to see and depict the individual behind the outward appearance, Utamaro added to some of his prints the notation "Studies in Physiognomic Judgment of Character by Utamaro." Modem opinion tends to agree with Utamaro's assessment of himself, and his reputation as an artist of the inner woman has firmly established him in the top ranks of the ukiyo-e world. Ukiyo-e Woodblock Prints: History Characteristics Ukiyo-e Woodblock Prints (1670-1900): History Types of Japanese Woodcuts by Hokusai Hiroshige Harunobu Ukiyo-e (Japanese woodblock prints) - japan-guide.com Ukiyo-e. Ukiyo-e () are Japanese woodblock prints which flourished during the Edo Period (1603-1867). They originated as popular culture in Edo (present day ... Ukiyo-e - Wikipedia The ukiyo-e genre of art flourished in Japan from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female ... Scholten Japanese Art - exhibitions of netsuke inro ... Scholten Japanese art exhibits woodblock prints netsuke inro lacquer screens hanging scrolls and other fine works of art. Utamaro - Wikipedia Early life. Little is known of Utamaro's life. He was born Kitagawa Ichitar in c. 1753. As an adult he was known by the given names Ysuke and later Yki. History of Japan Includes a brief history of Japan from ancient times through developments after 1945. Find geographical and topographical details as well. Japanese Art: History Types Styles Ukiyo-e. The subject matter of ukiyo-e "pictures of the floating world" first appeared in screens and hanging scrolls but in the later seventeenth ... Ukiyo-e: The Pictures of the Floating World INDEX: UKIYO-E The Pictures of the Floating World The art of ukiyo-e ("pictures of the floating world") originated in the metropolitan culture of Edo (Tokyo) during ... Japanese Bookblock Claude Monet's collection HOKUSAI Katsushika The Great Wave at Kanagawa A new vision of movement for Western artists: Monet's collection of Japanese WoodBlocks En Francais : La ... Daruma (Bodhidharma) - Patriarch of Zen Buddhism in China ... The historical Bodhidharma (known as Daruma in Japan) was an Indian sage who lived sometime in the fifth or sixth century AD. He is commonly considered the founder of ...
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